April 13, 1959
April 13, 1959

Table of Contents
April 13, 1959

Ask Him Anything
Wondrous Wall
Florida Derby
Wonderful World Of Sport
They Call It Baseball
  • HERE, beginning with a few ideas on what one can expect in 1959, Sports Illustrated presents its fifth annual preview of the major league season, with pictures in both color and black and white, scouting reports, schedules, statistics and features

The Umpire
Scouting Reports
  • Even in an inflationary economy there is no safer and better return on your money than the 40¢ profit you get in the fall from the dollar you bet in the spring that the Yankees will win the pennant. New York will win again in 1959

  • The White Sox feel that this is the year the Yankees can be beaten. If such a feat is possible, this is the team that can do it, if only someone would start hitting home runs. The rest of the pennant-winning ingredients are all there

  • Let the small letter i represent the American League. The Yankees, of course, are the dot, so the best the Boston Red Sox can hope for is a place near the top of the stem. Much depends on whether life truly begins at 40 for Ted Williams

  • Colavito, Minoso, Piersall, Power and Martin are about as colorful a crew as you will find in baseball. The team as a whole isn't nearly as good as the perpetual second-place finishers of a few years ago, but it's going to be more fun to watch

  • Every spring the Tigers promise much, but when summer rolls around they deliver little. This year they are keeping quiet, hoping that this team of many stars can finally do what everyone feels it should do—contend for the pennant

  • The Orioles' outstanding pitching and good defense should guarantee a fight for any opponent. Last season they finished sixth, but a good sixth, just three games out of the first division. To finish in fourth place, then, is their goal for 1959

  • The fury of mass trading is just about over, and the Athletics are a lot closer to that glorious day when they will be able to boast 25 major leaguers on the roster. Nevertheless, a .500 season for Kansas City is still a remote possibility

  • The road to the American League cellar is paved with the good intentions of the Washington Senators. Baseball magnates feel it needs a major league club in the national capital, but Cal Griffith provides only the palest imitation of one

  • An original statistical report

  • The Braves are not too blasé to appreciate those fat World Series checks every fall. With a well-rounded band of seasoned players and the richest pitching resources in the league, Milwaukee will not be easily beaten. But it can be

  • The Pirates will be a stimulating team to watch this summer as they throw strong pitching, superior defense, sharp hitting and fast legs onto the field. They'll be nearly everyone's sentimental favorite and might just win it all

  • Talented young players with great arms, blazing speed, sure instincts in the field and powerful bats in their hands are the trademark of the 1959 Giants. Sophisticated San Franciscans are in for excitement if the pitching holds up

  • The great power teams of 1956 and '57 are gone, but so is the bad pitching that wrecked them. Changed also is last year's squad, which was unbalanced in the opposite sense. Now the Reds plan to field a ball club with a smoother blend

  • Bad days have fallen upon the St. Louis Cardinals, and the bright promise of two years ago has been faithless. The effects on the club of uncertain, divided direction and erratic trading policies are now being felt. Busch has a loser here

  • Heavy trading during the past two seasons and a thorough search of the farm system produced last year a hard-hitting lineup that gave the Cubs the best team they've had in a long time. There is, however, still lots of work to be done

  • Walter O'Malley made all the money he expected to last year. Now it's time for the Dodgers to start playing ball. This is too good a team to be fooling around down in the second division. It should be a more pleasant season for Los Angeles

  • The good old days for the Phillies were in 1950, when Manager Eddie Sawyer led the club to its first pennant in 35 years. Those days are gone, and the Phillies are back in eighth place. Once again it's Sawyer's job to take them on and up

Horse Racing
Motor Sports
19th Hole: The Readers Take Over
Pat On The Back


Golf's top money winner took the Masters title with a dazzling late surge that left everyone agape or aghast

As a climax to an exciting production, Art Wall's shattering finish in the 1959 Masters tournament was as high an exercise in drama as golf's major competitions have produced. What Wall needed—and got—was an array of five birdies in the last six holes to win by a stroke over Cary Middlecoff. The 25,000 enthusiasts who crowded the Augusta National golf course last Sunday and the millions who caught television's excellent transmission saw Wall, six strokes behind leader Arnold Palmer as the final round began and hardly considered a contending figure at that point, sweep over Augusta's long and difficult course in 66 shots to post a four-round total of 284. This was enough to defeat Arnold Palmer, the indefatigable defending champion, by two strokes, and the final challenger, Cary Middlecoff, by one.

This is an article from the April 13, 1959 issue

For nine years, though winning his share of tournaments and more than his share of prize money, this quiet but articulate golfer has been one of the overlooked members of the professional circuit. Then this year, at 35, Wall seems abruptly to have reached his competitive maturity. He barely lost the Los Angeles Open to Ken Venturi's final round 63 (SI, Jan. 19), won the Bing Crosby Invitation, finished second in tournaments at Phoenix and Tucson before winning the Azalea Open just before the Masters. The legions who liked Wall but underrated his ability were surprised and pleased that he was doing so well on the circuit. Winning the Masters is ample proof that he is now something even better than a successful circuit golfer.

As the tournament got under way, Wall, despite his Azalea victory, was a lukewarm choice along with favorites Sam Snead (picked because he was Sam Snead) and Ken Venturi (picked because he has made winning the Masters his own particular golfing ambition). But as the tournament boiled into motion, Wall, with Venturi and Snead, faded from the picture. It was the battle between the youthful (29) Palmer, ripping his drives off the tee for tremendous distance, and the tough 44-year-old Canadian Stan Leonard, that provided the focus of attention.

Heavy all-night rains had drenched the course for the first day of play, and Leonard, taking advantage of the moist and holding greens, came in early in the afternoon with a fine 69. This lead held up despite challenges from Palmer, Jack Burke and 45-year-old Chandler Harper, all of whom carded one-under-par 71s. The rest of the field squeezed in tightly behind the four leaders, 55 players scoring between 72 and 77. Modestly nestled in a nine-way tie for 10th place at 73 sat the eventual champion, Art Wall.

In the second round, on a day that was sunny but windy, Palmer turned in a 70 that would have been much higher but for some tenacious scrambling and deft putting (28 putts for the round). On the par-5 8th hole, for instance, pressing to get close to the green with his second shot, he badly topped a wood from the fairway. The ball flew along the ground until it hit a mound at the left hardly 70 yards from the spot from which it had been struck. It caromed high into the air and disappeared into a tree and brush-filled hollow, well short of the green. But Palmer boldly cut short what appeared to be the start of a disastrous round. He went in after the ball, hacked it out and got his par with a good chip and an eight-foot putt. At the end of the day Palmer's two-round total of 141 led Leonard, who faded somewhat with a 74, by two strokes.

For the rest of the field there was no relief from the tight clustering of the scores. Anyone shooting higher than 149 for the first 36 holes, and co-favorite Ken Venturi was among this group, failed to qualify for the final two days of competition. A five-stroke margin, in fact, covered the 40 golfers who qualified behind the two leaders, Palmer and Leonard.

Well back of the lead, in a seven-way tie for 21st at 147, was Art Wall.

During Saturday's round of 18 holes, the once tightly packed field began to shake apart as Palmer and Leonard intensified their duel for the championship. Again, as on the opening day, Leonard came in with a 69 and Palmer with a 71. This tied them for the three-day lead at 212, but Cary Middlecoff, winner of the Masters in 1955 and a two-time U.S. Open champion, fired a crisp 68 to move into serious contention only a stroke back.

As most of the early pursuers tumbled back around him, Wall struggled to maintain position on the ladder. He had had only two days of on-location Masters preparation, and it took him another two days of competition to warm to the event and to the course. In the third round Wall fashioned a 71 to place him in a four-way tie for 13th, still six shots back of the lead.

The pattern established by the first three rounds was maintained until late afternoon on the final day. Palmer, with a par 36 over the first nine holes, had increased his lead to two strokes over Middlecoff and three strokes over a floundering Leonard. Then a flaw in the pattern abruptly emerged. On the 12th Palmer plopped his tee shot into the muddy creek fronting the green and took a triple-bogey 6; yet he seemed to recover with birdies on the par-5 13th and 15th holes.

It was at just about this time that Wall struck—and viciously. Playing two groups back of Palmer, Wall banged a wood to the edge of the 13th and then plunked in a 15-foot putt for his birdie after a chip shot from 80 feet left him short. Twenty feet from the hole on the back edge of the par-4 14th, Wall rolled in his putt for another birdie. On the 15th, millions of televiewers gasped as his putt from 25 feet for an eagle just skirted the edge of the cup, but the next went down for a birdie.

Up ahead Palmer was shaking badly. He missed a two-foot putt on the 17th green to take a bogey 5 there and then, when it seemed that he could clinch the championship with a birdie 3 on the final hole, his first putt from only four feet scooped out of one corner of the hole and he had to settle for a par 4. This opened the gap wide for Wall. He needed one birdie to beat Palmer's final score of 286, but he got two; with a 15-foot putt on the 17th and a 12-footer on the 18th.

It was as well that he did. Just as Wall walked into the clubhouse with his final score of 284, Cary Middlecoff smashed a two-iron just three feet from the hole on the 15th and then tapped in the putt for an eagle 3.

This demonstration of golf under pressure put Cary into a position where a birdie on any one of the last three holes could tie him for the lead, but he wasn't quite up to such a severe assignment. Pars on 16 and 17 preceded a bad approach shot to the 18th hole. On the right-hand fringe 25 feet away Middlecoff stroked the ball boldly for the hole, but it rolled by on the left leaving Wall a most deserving Masters champion.

For Art Wall, winning the Masters meant a first prize of $15,000, among other incalculable benefits; his 1959 total is now $33,000, the most a professional golfer has ever won at this point in the year.

PHOTOASSOCIATED PRESSVICTORY DANCE by the usually reserved Art Wall followed his sinking of the putt that gave him Masters championship and the right to wear the famous green jacket.PHOTOGARRY WINOGRANDTENSE CHALLENGE by Cary Middlecoff failed by narrow margin when he missed tries for birdies on each of the last three holes.PHOTOGARRY WINOGRANDBOLD DEFENSE of Masters title by Arnold Palmer, co-leader after three rounds, buckled under final-day pressure.PHOTOGARRY WINOGRANDSPECTATORS CLOSING IN APPROACH TO GREEN ON SECOND HOLE AT THE AUGUSTA NATIONAL GOLF CLUB WERE ONLY A FRACTION OF A RECORD CROWD, ESTIMATED AT 75,000 FOR THE FOUR-DAY TOURNAMENT, WHICH WATCHED THIS DRAMATIC 1959 MASTERS