Some reflections on an explosive tournament

Arnold Palmer's exciting victory in this year's Masters championship blacked out several fine performances and rare moments that are well worth recalling and noting
April 23, 1962

When Arnold Palmer won his third Masters championship at Augusta last week, he again demonstrated that the drama he brings to a major golf tournament is so intense and so raw that it temporarily obliterates a lot of other stimulating activity on the course. He makes it necessary to look back and savor the fine points of such a memorable sporting event. Too easily overlooked, for instance, is the tremendous performance of Gary Player, the runner-up, who played all his five rounds under par—67, 71, 71, 71, 71. Only three other players in the 26-year history of this tournament have been able to play even four straight subpar rounds: Ben Hogan in 1953, Claude Harmon in 1948 and Jimmy Demaret in 1947, and they were the winners those years.

Also virtually unrecognized was Jimmy Demaret's tie for fifth place behind Palmer, Player, Dow Finsterwald and Gene Littler, the four who shared the spotlight throughout the four days. Demaret, it should be remembered, is a grandfather who for two years has been old enough to compete in the PGA Seniors' championship for players over 50, and he no longer makes any attempt at full-time tournament golf. Yet here he was in the forefront of the tournament he first won in 1940, tied at 287 with such comparative striplings as Mike Souchak and Billy Maxwell. The other player in this four-way tie for fifth was Jerry Barber, the 45-year-old PGA champion, whose slight build—he measures 5 feet 5 inches and weighs 137 pounds—puts him at a serious disadvantage on a course that requires as much muscle as does Augusta National. Yet he shot a fine 72, 72, 69, 74.

A stunning example of Barber's problems at Augusta came on Thursday, when he had to use a four-wood for his second shot on the 445-yard, par-4 11th hole, a situation in which Palmer, Jack Nicklaus and some of the other big hitters might have been using a five-iron or less. Barber hit this wood shot into the cup for the only eagle ever made on that hole during a Masters championship. But still, it wasn't the kind of shot a golfer expects, to rely on regularly.

There were scenes of Palmer to reconsider, too. This champion has so often displayed his talent for the theatrical climax that he has come to seem larger than life when he has a golf club in his hands. That's why it is so paradoxical, as well as refreshing, to keep rediscovering how human Palmer is.

A few minutes before he was due to tee off on Monday afternoon for his 18-hole playoff with Player and Finsterwald, Arnold was sitting in the upstairs lounge of the Augusta National clubhouse, reviewing with a few reporters that unhappy round of the day before when he had blown his two-stroke lead over the field. Almost any other athlete would have wanted those moments to himself. Not Palmer. He just wanted, someone—anyone—to talk to while he was waiting for the match to begin, and he happened to find that group of reporters.

It is quite clear by now that Palmer's metabolism has to be stimulated by crisis if he is to play his best golf. Some spectators at Augusta were discussing this point just before the playoff started, and one of them said, "If Arnie can just finish the first nine holes a couple of strokes behind Player, he's a cinch to win. If he's ahead, his chances aren't so good. The tiger in Arnie goes to sleep when he has a lead." The first nine holes of the playoff ended with Palmer three strokes behind, and this same spectator canvassed part of the gallery for someone who would bet on Player. Nobody would.

A few moments later on the 10th green, the tide turned. Player had taken a bogey 5 after his spectacular approach shot to the green landed a couple of feet too close to the pin, took a big bounce and rolled off the far edge into the gallery. His subsequent putt for a par 4 stopped on the edge of the cup. Palmer, meanwhile, sank his 25-foot downhill putt for a birdie 3, reducing Player's lead to a single stroke. Here, the tingling excitement of Palmer's personality came out in a brief, five-word sentence. Winking at a friend standing near by, he said, "Now the game is on."

Back at the clubhouse later, his victory in hand and his emblematic green coat won again, Palmer was once more the friendly, gregarious man who thrives on conviviality. He and his wife, Winnie, were sitting at a table with a few of the dozen or so stragglers still on the premises, and someone asked him, "Are you going home tonight, Arnie?"

"Oh, I dunno," said Palmer, looking out the window at the gathering darkness. "It's getting late. Maybe we'll stay over tonight and fly back in the morning. It's been kind of a long day."

Anyone else would have been drained and exhausted. But early the next morning Arnold and Winnie climbed into the twin-engined Aero Commander that Arnold pilots and casually embarked on a four-and-a-half-hour flight home to Pennsylvania, where he would stay only one day before flying right back south again for the Greensboro tournament.

It is most satisfying to find a man so completely at one with his profession and his environment as Palmer is. Unlike a good many of his successful colleagues, he even seems to enjoy the peripheral obligations of fame—the adoring words and looks of his fans, the bustling attentions of the press. When professional athletes resent these intrusions, as so many do, one is tempted to suggest they find another calling. Palmer is in the right one.

This same congeniality with his profession was evident in Gary Player at Augusta, particularly after the biting disappointment of his loss to Palmer in the playoff. As he was leaving the clubhouse with his valise in his hand, someone approached Player with condolences. "You played terribly well, Gary," the man said. "It's just a pity that you had to lose the championship after five such splendid rounds."

Shots to remember

"Naturally I'm disappointed," Player replied, after thanking the man, "but I haven't any regrets about the way I played. I hit 10 shots out there this afternoon that I'll remember with pleasure for the rest of my life."

There isn't a sports event in the country that is run more efficiently or with more consideration for the contestants and the customers than the Masters, thanks to hard work by the members of the Augusta National Golf Club. But year after year the galleries (whose total number is the club's own well-kept secret) are getting larger and larger, thanks to such warm, watchable personalities as Palmer and Player. Even on the hillside overlooking the 11th and 12th holes and the 13th tee, certainly the finest viewing spot on any golf course in the world, it is getting almost too crowded to see a popular match. This has caused speculation about the possibility of limiting the attendance at a golf tournament to the number of spectators who can be comfortably accommodated, just as a theater or arena turns away customers when it is full.

Something is going to have to be done soon. There were many times during the playoff Monday when the only way to tell what was happening was to eavesdrop on one of the many transistor radios in the gallery and listen to Announcer Tom Harmon's descriptions. The crowds of Saturday and Sunday were just as formidable. Those who watched on television saw a great deal more of the action on the last four holes than a spectator who had to scramble through the stampeding crowds. Still, most people counted it worth the effort and the bruises just to get a few glimpses of Palmer and Player in the flesh and to see some part of one of the most spectacular golf matches of our time.

PHOTOPLAYER REMEMBERED THE GOOD SHOTS PHOTOAGING JIMMY DEMARET, NO LONGER A TOUR REGULAR, LINES UP A PUTT ON THE WAY TO HIS SURPRISING FIFTH-PLACE TIE

HOLE YARDS PAR R1 R2 R3 R4
OUT
HOLE YARDS PAR R1 R2 R3 R4
IN
Eagle (-2)
Birdie (-1)
Bogey (+1)
Double Bogey (+2)