Search

Pretty Fair Touch When it comes to on-court look and feel, the hot new film 'Love & Basketball' is more hit than miss

May 01, 2000
May 01, 2000

Table of Contents
May 1, 2000

Baseball

Pretty Fair Touch When it comes to on-court look and feel, the hot new film 'Love & Basketball' is more hit than miss

The most difficult role in drama isn't playing Hamlet; it's
playing basketball. From Michael J. Fox in the 1980s flick Teen
Wolf to Mykelti Williamson in the recently canceled Showtime
series The Hoop Life, many actors have tried to hoop it up
on-screen, but only a few have scored. (We except Ray Allen,
costar of the 1998 movie He Got Game, whose real job is, after
all, shooting guard for the Bucks.) For instance, if we had
anything to say about it, the on-court sequences from NBC's Hang
Time would be relegated to pine time. Which leads us to the
endearing, if not All-Star-worthy, new film Love & Basketball.
Omar Epps stars as Quincy McCall, and the extremely appealing
Sanaa Lathan plays Monica Wright. Quincy and Monica are star
players and next-door neighbors whose mutual passion for the
game blossoms into love for each other. We're not about to
pretend we're Ebert or Entertainment Weekly; we'll spare you the
thumb and the letter grade. We'd rather be Hubie Brown and
"break down" the hoops verite.

Swishes

This is an article from the May 1, 2000 issue Original Layout

Contact. Quincy and Monica meet as 11-year-olds during a
two-on-two game in his driveway. The players check the ball after
each made basket. The game ends abruptly when Quincy (played as a
youngster by Glenndon Chatman), beaten on a give-and-go by female
interloper Monica (Kyla Pratt), flagrantly fouls her from behind.
It's as if Rick Mahorn had scripted it.

Uniformity. From Los Angeles's Crenshaw High and Southern
Cal--where McCall and Wright are point guards--to a women's
European club team, Vigo, to the NBA Lakers and WNBA Sparks,
every uniform seen in Love & Basketball is the goods.

Scheduling. The last two games of Monica's freshman season at USC
are against Oregon and Oregon State. First-time director Gina
Prince-Bythewood, the film's writer and a former runner on the
UCLA track team, clearly knows the Pac-10 basketball slate.

Air Balls

Ball Handling. If Quincy and Monica are proficient enough at the
point to play professionally, how come Ralph Reed goes to his
left more often? Behind-the-back dribbling, which Q, as Quincy is
called, deploys too often, is the hardwood equivalent of
overacting.

The Breakaway Trey. During a Southern Cal practice Monica steals
the ball and has an opening for an uncontested layup. Instead,
she pulls up for a three-pointer. Afterward her coach, Christine
Dunford, chews her out not for taking the shot but for failing to
get back on defense after sinking it. What is this, The Nick Van
Exel Story?

The Banks Shot. Finally, it's not a hoops gaffe, but Tyra Banks
plays Q's fiancee, and Monica's mother (Alfre Woodard) says, "He
can do a lot better, if you ask me." On what planet?

--John Walters

COLOR PHOTO: S. BALDWIN/NEW LINE CINEMA
WEBWORDS
"What do I remember about Charles? His gluteus maximus. That's
the Number 1 thing. That's the biggest gluteus maximus in the
world. I didn't have enough gluteus maximus to defend him."
--Heat forward P.J. BROWN, on AthleteDirect.com, commenting on
CHARLES BARKLEY, who retired after 16 NBA seasons following a
six-minute, two-point, one-rebound, let-down-the-curtain
performance for the Rockets in their 96-92 loss to the Grizzlies
on April 19