Wooden stood as man of constancy
What I remember most clearly from the John Wooden Basketball Encounter in 1984 -- attaching the word "camp" apparently wasn't special enough for the organizers and Wooden would never have allowed the word "fantasy"-- was the moment when the Wizard of Westwood first walked into the gym. There were about 40 of us, ranging in age from 35 to 65, sitting at attention in the bleachers at Pepperdine's Firestone Fieldhouse. We were like a gaggle of high school freshmen waiting for the first glimpse of The Coach, the half-man/half-god who would lead us to glorious victory and impart the secrets of manhood in the process.
"There he is," someone whispered as Wooden -- looking impossibly owlish, impossibly coach-like, impossibly Wooden -- strode into the gym in his spry, tippy-toed walk. Wooden, who was then 74, carried a large framed document, his famed Pyramid of Success, the subject of his first lecture.
"This is what I came for," said a man next to me, scrambling for pen and paper.
Frankly, that is not what I had come for. I was
I have to confess on this, the day after John Wooden's death, that it still strikes me as that.
But I can tell you this: Wooden's belief in it was absolute, and his ability to communicate it was remarkable. Over three days I watched a few dozen men, all of them successful in life, follow him around the gym, soaking up whatever nuggets he threw out. The scene had to be what it was like around the center square in Athens when
I didn't know the Wizard of Westwood (a nickname he hated, by the way, because it suggested magic and not hard work) nearly as well as my colleague,
I almost never talked to Walton when somehow, some way, he would conjure up Wooden's name. Yet for a long time the two of them had a strained relationship. At the Encounter at Pepperdine, Wooden was quite careful with his opinions, particularly when this reporter was around, so I was frankly astonished when he said, in a response to some question or another, "I'll take
But Wooden and Walton grew closer as the years went by, and I'm certain that what Walton came most to appreciate about Wooden was the fact that he never changed. The things that Wooden was talking about in 2010 were exactly the things he was talking about when the red-haired rebel played for him in the late '60s and early '70s. In a world where even the best among us change their morals and their manners to fit the times, John Wooden remained that delightful anachronism, a relevant relic, a man of constancy.