In honor of Sports Illustrated's 60th anniversary, SI.com is republishing, in full, 60 of the best stories ever to run in the magazine's history. Today's selection is on Bill Russell, whom the magazine named the greatest team player of the 20th century. Russell helped the Boston Celtics win 11 titles in his 13 seasons, and he also won consecutive NCAA titles at the University of San Francisco as well as Olympic gold in 1956. The story, by legendary SI writer Frank Deford, ran in the May 10, 1999 issue.
It was 30 years ago, and the car containing the old retired basketball player and the young sportswriter stopped at a traffic light on the way to the airport in Los Angeles. (Of course, in the nature of things, old players aren't that much older than young writers.) The old player said, "I'm sorry, I'd like to be your friend."
The young writer said, "But I thought we were friends."
"No, I'd like to be your friend, and we can be friendly, but friendship takes a lot of effort if it's going to work, and we're going off in different directions in our lives, so, no, we really can't be friends."
And that was as close as I ever got to being on Bill Russell's team.
In the years after that exchange I often reflected on what Russell had said to me, and I marveled that he would have thought so deeply about what constituted friendship. It was, obviously, the same sort of philosophical contemplation about the concept of Team that had made him the most divine teammate there ever was.
Look, you can stand at a bar and scream all you want about who was the greatest athlete and which was the greatest sports dynasty, and you can shout out your precious statistics, and maybe you're right, and maybe the red-faced guy down the bar--the one with the foam on his beer and the fancy computer rankings--is right, but nobody really knows. The only thing we know for sure about superiority in sports in the United States of America in the 20th century is that Bill Russell and the Boston Celtics teams he led stand alone as the ultimate winners. Fourteen times in Russell's career it came down to one game, win you must, or lose and go home. Fourteen times the team with Bill Russell on it won.
But the fires always smoldered in William Felton Russell, and he simply wouldn't suffer fools--most famously the ones who intruded upon his sovereign privacy to petition him for an autograph. He was that rare star athlete who was also a social presence, a voice to go with the body. Unafraid, he spoke out against all things, great and small, that bothered him. He wouldn't even show up at the Hall of Fame when he was inducted, because he had concluded it was a racist institution. Now, despite the importunings of his friends, he is the only living selection among ESPN's 50 top athletes of the century who hasn't agreed to talk to the network. That is partly because one night he heard an ESPN announcer praise the '64 Celtics as "Bob Cousy's last team." Cousy was retired by then.
Russell says, "They go on television, they're supposed to know."
Cousy says, "What the Celtics did with Russ will never be duplicated in a team sport. Never."
Of course, genuine achievement is everywhere devalued these days. On the 200th anniversary of his death, George Washington has been so forgotten that they're toting his false teeth around the republic, trying to restore interest in the Father of Our Country with a celebrity-style gimmick. So should we be surprised that one spectacular show-off dunk on yesterday's highlight reel counts for more than some ancient decade's worth of championships back-before-Larry&Magic-really-invented-the-sport-of-basketball?
Tommy Heinsohn, who played with Russell for nine years and won 10 NBA titles himself, as player and coach, sums it up best: "Look, all I know is, the guy won two NCAA championships, 50-some college games in a row, the ['56] Olympics, then he came to Boston and won 11 championships in 13 years, and they named a f------ tunnel after Ted Williams." By that standard, only a cathedral on a hill deserves to have Bill Russell's name attached to it.
But then, too often when I try to explain the passion of Russell himself and his devotion to his team and to victory, I'm inarticulate. It's like trying to describe a color to a blind person. All I can say, in tongue-tied exasperation, is, You had to be there. And I'm sorry for you if you weren't.
Russell was right, too. The two of us did go our separate ways after he dropped me at the airport. He left the playing life exactly 30 years ago this week, on May 5, 1969, with his last championship, and my first child was born on May 7. So there were new things we both had to do, and in the years that followed we were together only a couple of times, briefly.
Then a few weeks ago we met at his house in Seattle, and for the first time in 30 years I climbed into his car. The license plate on the Lexus reads KELTIC 6, and on the driver's hands were two NBA championship rings: his first, from '57, and his last, from 12 years later. We took off together for the San Francisco Bay Area, there to visit Bill's father, Charlie, who is 86 and lives in a nursing home. It was 13 hours on the road. We stopped along the way at McDonald's and for gas and for coffee and for a box of Good 'n' Plenty and to pee and to buy lottery tickets once we got over the California line, because there was a big jackpot that week in the Golden State. In Oakland we found a Holiday Inn and ate a fish dinner at Jack London Square, where a bunch of elderly black ladies sat at the next table. "I was thinking they were old," Bill said, nodding his gray head toward them. "Then I remembered, I'm probably their age." I laughed. "Hey, what are you laughing at?" he roared. So, like that, wherever we happened to be going in the car, our destination was really back in time.
Back to the Russell Era. Back to the Celtics and the University of San Francisco Dons, to the Jones Boys and Cooz. Yes, and back to Wilt. To Satch and Heinie and the sixth men. Red, of course. Elgin and Jerry. But more than just the baskets, more than just the '60s. Russell's family experience describes the arc of a century. Why, when Charlie Russell was growing up in Louisiana, he actually knew men and women who had been slaves. He told me about "making marks in the ground" to help his illiterate father calculate. I was baffled by that expression. "It's from the old country," Bill explained. That is, from Africa, centuries before, passed along orally. And as we were talking, and the old man--wearing a jaunty red sweat suit and a green hat--reminisced about more recent times, he suddenly smiled and said something I couldn't quite make out. I leaned closer. "What's that, Mr. Russell? How what?"
"No, Hal," he said. "All on account of Hal DeJulio." Charlie remembered so well, after all this time. You see, if young William hadn't, by chance, been there on the one day that DeJulio showed up at Oakland High in the winter of '51, none of this would have happened. None of it at all. But life often hangs by such serendipitous threads, and sometimes, like this time, we are able to take them and weave them into a scarf for history's neck.
The long trip to Oakland was not unusual for Russell. He enjoys driving great distances. After all, he is most comfortable with himself and next most comfortable with close friends, cackling that thunderous laugh of his that Cousy fears he'll hear resonating in the afterlife. Playful is the surprising word that former Georgetown coach John Thompson thinks of first for Russell, and old number 6 himself always refers to his Celtics as "the guys" in a way that sounds curiously adolescent. Hey, guys, we can put the game on right here!
Cynosure on the court though he was, Russell never enjoyed being the celebrity alone. "I still think he's a shy, mother's son," says Karen Kenyatta Russell, his daughter, "and even now he's uncomfortable being in the spotlight by himself." Maybe that's one reason the team mattered so to him; it hugged him back. "I got along with all the guys," Russell says, "and nobody had to kiss anybody's ass. We were just a bunch of men--and, oh, what marvelous gifts my teammates gave to me."
"He was just so nice to be with on the team," says Frank Ramsey, who played with Russell from 1956 to '64, Russell's first eight years in the NBA. "It was only when others came around that he set up that wall."
Russell loves nothing better than to talk. "Oh, the philosophizing," recalls Satch Sanders, who played with Russell from '60 to '69. "If he started off and said, 'You see,' we just rolled our eyes, because we knew he was going off on something." Yet in more recent times Russell went for years without permitting himself to be interviewed. "If I'm going to answer the questions, I want them to be my questions, the right questions," he says--a most unlikely prerogative, given the way journalism works. O.K., so no interviews. Privacy edged into reclusiveness.
On the other hand, as upside-down as this may sound, Russell believes he can share more by not giving autographs, because instead of an impersonal scribbled signature, a civil two-way conversation may ensue. Gently: "I'm sorry, I don't give autographs."
"No, won't is personal. I don't. But thank you for asking." And then, if he senses a polite reaction, he might say, "Would you like to shake hands with me?" And maybe chat.
Utterly dogmatic, Russell wouldn't bend even to give his Celtics teammates autographs. One time this precipitated an ugly quarrel with Sanders, who wanted a simple keepsake: the signature of every Celtic he'd played with. "You, Satch, of all people, know how I feel," Russell snapped.
"Dammit, I'm your teammate, Russ."
Nevertheless, when the shouting was over, Russell still wouldn't sign. Thompson, who was Russell's backup on the Celtics for two years, is sure that Russell never took pleasure from these sorts of incidents. "No, it bothered him," Thompson says. "But doing it his way, on his own terms, was more important to him. And that's Bill. Even if it hurt him, he was going to remain consistent."
Russell speaks, often, in aphorisms that reflect his attitudes. "It is better to understand than to be understood," he told his daughter. "A groove can become a rut," he advised his teammates. And perhaps the one that goes most to his own heart: "You should live a life with as few negatives as possible--without acquiescing."
So, alone, unbothered, one of the happiest times Russell ever had was driving around the West on a motorcycle in the '70s. When he takes a long automobile trip by himself these days, he listens to National Public Radio, CDs and tapes he has recorded to suit his own eclectic taste. On one tape, for example, are Stevie Wonder and Burl Ives. On another: Willie Nelson and Aretha Franklin. But also, always, Russell sets aside two hours to drive in complete silence, meditating. He has never forgotten what Huey Newton, the Black Panther, once told him: that the five years he spent in solitary confinement were, in fact, liberating.
Russell returned twice to the NBA after he retired as the Celtics' player-coach following the 1968-69 season. As coach and general manager of the Seattle SuperSonics from 1973 to '77, he built the team that would win the championship two years after he left. A brief tenure with the Sacramento Kings during the '87-88 season was, however, disastrous and unhappy. On the night he was fired, Russell cleaned out his office; returned to his Sacramento house, which was contiguous to a golf course; and stayed there, peacefully by himself, for weeks, venturing out only for provisions and golf. He didn't read the newspapers or watch television news. "To this day, I don't know what they said about me," he says. He put his house on the market immediately, and only when it sold, three weeks later, did he return to Seattle, where for 26 years he has lived in the same house on Mercer Island, one tucked away into a sylvan hillside, peeking down at Lake Washington.
Divorced in 1973, Russell lived as a single parent with Karen for several years, until she left for Georgetown in 1980 and then Harvard Law. Alone after that, Russell says, there were times when he would hole up and practice his household "migratory habits." That is, he would stock the kitchen, turn on the burglar alarm, turn off the phone and, for the next week, migrate about the house, going from one couch to another, reading voraciously and watching TV, ideally Jeopardy! or Star Trek--just bivouacked there, the tallest of all the Trekkies, sleeping on various sofas. He was quite content. The finest team player ever is by nature a loner who, by his own lights, achieved such group success because of his abject selfishness. You will never begin to understand Bill Russell until you appreciate that he is, at once, consistent and contradictory.
Russell began to emerge from his most pronounced period of solitude about three years ago. Shortly after arriving in Seattle in 1973, he had gone into a jewelry store, where he hit it off with the saleswoman. Her name is Marilyn Nault. "Let me tell you," she sighs, "working in a jewelry store is the worst place to meet a man, because if one comes in, it's to buy something for another woman." But over the years--skipping through Russell's next, brief marriage, to a former Miss USA--Marilyn and Bill remained friends. Also, she impressed him as a very competitive dominoes player. When Bill's secretary died in 1995, Marilyn volunteered to give him a hand, and all of a sudden, after more than two decades, they realized they were in love. So it was that one day, when Marilyn came over to help Bill with his accounts, she just stayed on with him in the house on the hill under the tall firs.
There is a big grandfather clock in the house that chimes every hour. Like Bill, Marilyn doesn't hear it anymore. She has also learned how to sleep with the TV on, because Bill, a terrible night owl, usually falls asleep with the clicker clasped tightly in his hand. Usually the Golf Channel is on. Imagine waking up to the Golf Channel. Marilyn has also learned to appreciate long car trips. Twice she and Bill have driven across the continent and back. Their lives are quite blissful; he has never seemed to be so at peace. "They're the ultimate '50s couple," Karen reports. "They have nothing but kind things to say about each other, and it's part of their arrangement that at least once a day, he has to make her laugh."
Yet for all the insular contentment Russell has always sought in his life, his play was marked by the most extraordinary intensity. If he threw up before a big game, the Celtics were sure everything would be all right. If he didn't, then Boston's coach, Red Auerbach, would tell Russell to go back to the toilet--order him to throw up. Rookies who saw Russell for the first time in training camp invariably thought he had lost it over the summer, because he would pace himself, even play possum in some exhibitions, to deceive pretenders to his throne. Then, in the first game of the real season, the rookies would be bug-eyed as the genuine article suddenly appeared, aflame with competition. It was as if the full moon had brought out a werewolf.
Cousy says, "The level of intensity among the big guys is different. You put a bunch of huge guys, seminaked, out there before thousands of people, and you expect them to become killers. But it just isn't in their nature. Kareem [Abdul-Jabbar] probably had the best skills of all big men, and he played till he was 42. If he'd had Russ's instincts, it's hard to imagine how much better he'd have been. But he'd have burned out long before 42."
Sanders: "There's no reason why some centers today couldn't block shots like Russ did. Only no one has the intestinal fortitude. A center blocks one shot now, the other team grabs the ball and scores, and the center stands there pouting, with that I-can't-do-everything look. Russell would block three, four shots in a row--I mean from different players--and then just glower at us."
Russell: "Once I blocked seven shots in a row. When we finally got the ball, I called timeout and said, 'This s--- has got to stop.'" Some years Russell would be so exhausted after the playoffs that, as he describes it, "I'd literally be tired to my bones. I mean, for four, five weeks, my bones would hurt."
Russell believes that Wilt Chamberlain suffered the worst case of big-man syndrome; he was too nice, scared that he might hurt somebody. The year after Russell retired, in the famous seventh game of the NBA Finals at Madison Square Garden, Willis Reed, the New York Knicks center, limped onto the court against the Los Angeles Lakers, inspiring his team and freezing Chamberlain into a benign perplexity. Russell scowls just thinking about it. "If I'm the one playing Willis when he comes out limping," he snarls, "it only would have emphasized my goal to beat them that much worse." Russell would have called Six--his play--again and again, going mercilessly at the cripple, exploiting Reed without remorse. The Celtics would have won. Which was the point. Always.
"To be the best in the world," Russell says, all but licking his lips. "Not last week. Not next year. But right now. You are the best. And it's even more satisfying as a team, because that's more difficult. If I play well, that's one thing. But to make others play better...." He grins, savoring the memory. "You understand what I mean?" Bill often says that, invariably when there is no doubt. It has to do with emphasis more than clarity. In fact, I can sort of visualize him saying that after he blocked a shot. You understand what I mean?
It is difficult to comprehend whence came Russell's extraordinary will on the court. Karen recalls only once in her life that her father so much as raised his voice to anyone. "I just never saw the warrior in him," she says. "As a matter of fact, as I got to understand men better, I appreciated all the more how much of a feminine side my father has." Ironically it was Russell's mother, Katie, who appears to have given him his fire, while his father, Charlie, instilled the more reflective component.
What do you remember your father telling you, Bill?
"Accept responsibility for your actions.... Honor thy father and mother.... If they give you $10 for a day's work, you give them $12 worth in return."
Even more clearly, Russell recalls the gritty creed his mother gave him when he was a little boy growing up in segregation and the Depression in West Monroe, La. Katie said, "William, you are going to meet people who just don't like you. On sight. And there's nothing you can do about it, so don't worry. Just be yourself. You're no better than anyone else, but no one's better than you."
One time, when he was nine, William--for that is what he was called till basketball made him just plain Bill--came home to the family's little shotgun shack after being slapped by a boy in a gang. Katie dragged him out to find the gang. She made her son fight every boy, one by one. "The fact is, I had to fight back," Bill says. "It wasn't important whether I won or lost."
When he and I visited his father, Charlie said this about Katie: "She was handsome and sweet, and she loved me, and she showed it by giving me children." Bill was very touched by that, subdued. Then Charlie smiled and added, "She played some basketball too--the bloomer girls."
Bill shot to his feet, screaming, "Daddy, I never knew that!" Then there was such vintage Russellian cackling that the old fellow in the next bed woke up, a little discombobulated by all the fuss.
If Katie Russell had any athletic instincts, though, they paled before her passion for education. It was an article of faith with her, a high school dropout, that her two sons--Charlie Jr., the elder by two years, and William--would go to college. Bill has a vivid memory of his mother taking him to get a library card. That was not mundane; that was a signal event. And this is what he remembers of West Monroe, altogether: "I remember that my mother and father loved me, and we had a good time, but the white people were mean. But I was safe. I was always safe. In all my life, every day, not for one second have I ever thought I could have had better parents."
Then, in 1946, when William was 12, his mother died of kidney failure, with very little warning. Katie Russell was only 32. The last thing she told her husband was, "Make sure to send the boys to college." The last thing she told William was, "Don't be difficult for your father, because he's doing the best he can."
The Russells had moved to Oakland not long before, after Charlie was denied a raise at the mill in West Monroe because he was black. Now the father and his two sons boarded the train with Katie's casket to return to Louisiana to bury her. It was after the funeral that young William heard Katie's sisters arguing about which one of them would take the two motherless boys to raise. That was the custom in these matters. Charlie interrupted. "No," he said, "I won't let you. I'm taking the two boys back with me." Though there was still much protesting from the aunts, that was that.
"I told my two boys they'd lost their best friend," Charlie says, "but we could make it if we tried." The goal remained to get them through college. Charlie Jr. was developing into a pretty good athlete, but his father couldn't spend much time thinking about games. After all, he'd had to quit school to work; unlike Katie, he'd never even been able to play basketball. It certainly never occurred to him that now, for the first time, there were people like Hal DeJulio around, scouting black teenagers, eager to give the best ones a free college education just for playing some ball.
The radar detector on the Lexus beeped. Russell slowed down. A bit. We had driven through Washington and most of Oregon, too. A billboard advertised the Seven Feathers Casino. Ah, fin de siecle America: casinos, cable, cosmetic surgery and scores from around the leagues. Russell, who just turned 65, is fairly pragmatic about the new ways of the world. He never put on any airs--witness that amazing laugh of his, which is the loud leitmotif of his life. "I try not to stifle anything," he says. "It isn't just my laugh. If I have to sneeze, I just let it go. You understand what I mean?"
He is also helped by the fact that even as a young man, he looked venerable. Other players would dart onto the court, all snappy and coltish. Number 6 would stalk out hunched over, stroking that dagger of a goatee, and stand there dark and grim. We always talk about teams "executing." All right, then: Russell appeared very much an executioner.
Jerry West, who was denied about a half-dozen championships strictly because of Russell, remembers. "When the national anthem was played, I always found my eyes going to Bill. He did that just right, stand there for the anthem. He was a statue, but there was a grace to him. Even just standing still: grace."
Whereas Russell is disappointed by much that he sees on the court today, he does not lambaste the players. He is just as prone to blame the coaches for taking so much of the spontaneity out of basketball. "The coaches dumb players down now," he says, clearly irritated. "They're stifling innovation. They're not letting them play outside the system." Pretty soon, it seems, the Celtics' fast break, which was the most gloriously coordinated rapid action in sport, will be nothing more than athletic nostalgia, like the dropkick.
And the players? Well, it's not just them. "All the kids in this generation--they really don't have a clue," Russell says. "They don't know, but they really don't care. A lot of my peers are annoyed that the players accepted a salary cap. I'm not. I know there's not supposed to be a limit on what you can make in America, but then, the NBA may also be the only place where there's a high roof for a minimum. When I speak to the players, I just say they have a responsibility to be caretakers. When you leave, there should be no less for those who follow you than there was when you arrived."
We started up Mount Ashland, whose other side goes down into California. Russell said, "Of course, a lot of my peers are also annoyed with all this money these kids are making. Me? I love it when I see a guy get a hundred million, because that says something good about what I did. You understand what I mean?"
This is, however, not to say that some of the guys making a hundred million--or getting by on only 50 or 60--have a clue about what Bill Russell did. It took years of hectoring by some of his friends to persuade Russell to step out of the safe shadows, to display himself again. His legacy was fading. John Thompson fairly bellows, "Nobody cares when some turkey like me won't give interviews. But Bill Russell! I say, Bill: You owe it to the people you love not to take this to your grave. I want my grandchildren to hear you talk about all you were."
So, while sometimes it mortifies Russell that he is, like everybody else, marketing himself--"I can't believe I'm doing all the things I swore I'd never do," he moans--there is the reasonable argument that truth nowadays must be packaged; otherwise, only the hype will survive as history. So Russell is planning a speaking tour and an HBO documentary about his life, and Karen is working on a book about motivation with her father, and a huge charitable evening to honor Russell is scheduled at the FleetCenter in Boston on May 26, when his number 6 jersey will be ceremonially re-retired. Russell is even selling about 500 autographs a year, and when we went to ship some signed basketballs to a sports collectibles store, I felt rather as if I had gone over to Handgun Control and mailed out some Saturday Night Specials.
So, O.K., it's the millennium, it's a different world. But we're not that far removed from the old one. Look at Bill Russell in 1999. His grandfather Jake was of the family's first generation born free on this continent. When this fading century began, Jake Russell was trying to scratch out a living with a mule. The Klan went after him because even though he couldn't read or write a lick, he led a campaign to raise money among the poor blacks around West Monroe to build a schoolhouse and pay a teacher to educate their children at a time when the state wouldn't have any truck with that.
At the other end of Jake's life, in 1969, he went over to Shreveport, La., to see the Celtics play an exhibition. By then his grandson had become the first African-American coach in a major professional sport. Jake sat with his son, Charlie, watching Bill closely during timeouts. He wasn't quite sure what he was seeing; Celtics huddles could be terribly democratic back then. It was before teams had a lot of assistants with clipboards. Skeptically Jake asked his son, "He's the boss?" Charlie nodded.
Jake took that in. "Of the white men too?"
"The white men too."
Jake just shook his head. After the game he went into the decrepit locker room, which had only one shower for the whole team. The Celtics were washing up in pairs, and when Jake arrived, Sam Jones and John Havlicek were in the shower, passing the one bar of soap back and forth--first the naked black man, then the naked white man stepping under the water spray. Jake watched, agape. Finally he said, "I never thought I'd see anything like that."
Of course, it was hardly a straight line upward to brotherhood. Nor was Bill Russell afraid to point that out to America; he could be unforgiving and sometimes angry, which meant he was called arrogant by those who didn't care for his kind. Russell invested in a rubber plantation in Liberia, and at a time when African-Americans were known as Negroes, and the word black was an insult, Russell started calling himself black. In the civil rights movement he became a bold, significant figure far beyond the parquet.
Thompson says, "It took a long time for me to be able to accept him as a person, as another guy, because I admired and respected him so. Russell made me feel safe. It was not that he was going to save me if anybody threatened me. Somehow I knew it was going to be all right so long as I was with him. I was going to be safe."
Often, edgy whites misunderstood him, though. Once a magazine quoted him as saying, "I hate all white people." Russell walked into the cramped old Celtics locker room, where equality reigned: Every player had one stool and two nails. Frank Ramsey glanced up from the magazine. "Hey, Russell, I'm white," he said. "You hate me?"
The two teammates looked into each other's eyes. "I was misquoted, Frank," was all Russell said. That was the end of it; he and Ramsey remained as close as ever. A few years earlier, too, there had been a big brouhaha in Kentucky, Ramsey's home state. Russell and other black Celtics had pulled out of an exhibition game there because the hotels were segregated. There was a lot of talk that Russell should not have embarrassed Ramsey that way. None of the talk came from Ramsey, though. Then, in 1966, when Russell succeeded Auerbach and became the first black coach (while continuing to play), he accepted the job only after trying to persuade Ramsey to return to basketball, from which he had retired in 1964, and coach the Celtics. Russell thought that would be better for the team than for him to make history.
The Celtics really did get along the way teams are supposed to in sports mythology. Russell threw Christmas parties for his teammates and their families. In 1962 he took the astonished rookie Havlicek around town to get a good price on a stereo. "All of us were strangers in a place far from home," Russell says. "But we made it into a unique situation. Cousy started it. He was absolutely sincere about being a good teammate."
Still, it was different away from the warm cocoon of the Celtics. One night in 1971 the team assembled in the Boston suburb of Reading, where Russell lived, to be with him as the town proudly honored their captain. It was the first time Heinsohn ever saw Russell cry, he was so happy. A few months later some people broke into Russell's house, rampaged, smashed his trophies, defecated in his bed and spread the excrement over his walls. They didn't want any black man in their town. But in the locker room Russell never talked about the terrible things that happened to him so close to the Celtics' city. "He was too proud to let people know," Heinsohn says.
Cousy still feels guilty. "I wish I'd done more to support Russ," he says. "We were so close, as teammates, but we all should have been more aware of his anger." Cousy draws a deep sigh. "But you know jocks--all into the macho thing. Always afraid to let the conversation be anything more than superficial. We mature so much later than anybody else."
So they just had to settle for winning.
Russell drove the Lexus into Oakland. When he was a little boy, after rural Dixie, his big new California hometown seemed such a wondrously exciting place. But Oakland wasn't Valhalla. "I couldn't even go downtown," he says. "The cops would chase the black kids away. And you still have those soldiers in blue in the streets. In terms of economics, things are certainly better in America today. But the criminal justice system hasn't improved."
Still, even if the police ran young William out of stylish Oakland, he grew up in contentment. Even after Katie's death, the Russells enjoyed the sort of family embrace that is denied so many black boys today. Charlie Jr. would graduate from college and become a social worker and a playwright. William, for his part, was a bookworm. For someone who ended up 6'10", he grew very late and wasn't much noticed on the basketball court. But then, he also wasn't much good. Frank Robinson, the great baseball player, was on the McClymonds High basketball team with Russell, and he says, "He couldn't even put the ball in the basket when he dunked." Russell was scheduled to graduate in January 1951, whereupon it was his intention to get a job in the shipyards and save up to go to college part time.
This is surely what would have happened, too, except that Hal DeJulio, who had played at the University of San Francisco and occasionally steered young players toward the school, went to an Oakland High-McClymonds game one day to help the Oakland coach. USF was a struggling urban Catholic college that didn't even have a gymnasium; the team had to settle for leftovers and overlooks. As a consequence, DeJulio noticed McClymonds' center, the unknown string bean with the incredibly long arms, who had a rare good game that day. A week later DeJulio showed up unannounced at the Russells' house and offered William a scholarship to San Francisco. Only then did he tell Dons coach Phil Woolpert about his find. Woolpert was skeptical but agreed to take William on.
It was that close to there never being a Bill Russell. "It gives me chills," Karen says.
Even as Russell won his first NCAA title, in 1955, his coach--like most everybody else--couldn't yet fathom that Russell was this genius who had, in effect, created a whole new game of basketball. For instance, Woolpert concurred with the conventional wisdom that to play defense you must not leave your feet, "and here I was airborne most of the time," Russell recalls. Although the Dons' victories piled up, Woolpert kept telling Russell he was "fundamentally unsound." He would say, "You can't do that." Russell would respond, "But I just did."
Nevertheless Russell liked Woolpert--"a fine and decent man," he calls the coach--who was being excoriated for starting three black players: Russell, K.C. Jones and Hal Perry. Woolpert was flooded with hate mail, and rival coaches snidely called him Saperstein, after Abe, the coach of the Harlem Globetrotters. Although the NCAA championship won by the 1965-66 Texas Western team, with five black starters, has over time been painted as a watershed event, the fact is that Russell was as much pioneer as avatar. The African-American domination of basketball traces to two teams, his teams: USF in college, Boston in the pros. Texas Western was but the end product of what Russell inspired--and what he had suffered through--a decade earlier.
K.C. Jones remembers an occasion in Oklahoma City, where USF was practicing, when local citizens threw coins at the players as if they were clowns in the circus. Inside, Jones raged. But Russell, smiling sardonically, picked up the change and handed it to Woolpert. "Here, Coach, hold this for me," was all he said.
"Then," Jones says, "he took it out on the opposition."
"I decided in college to win," Russell says matter-of-factly. "Then it's a historical fact, and nobody can take it away from me. You understand what I mean?"
Indisputably, his race diminished Russell in the eyes of many biased observers, but, withal, it was the rare fair-minded expert who could comprehend the brilliance of this original force. Indeed, even as Russell won every year in the NBA, the fact that Chamberlain averaged skyrocket numbers was more beguiling to the unsophisticated. Meanwhile, in Boston, the stylish--and Caucasian--Cousy continued to hold the greater affection. Auerbach recalls one time when Cousy was injured but the Celtics swept a five-game road trip, with "Russ blocking a million shots." When the team returned home, it was greeted by a headline that made no reference to the victory streak, asking only, WILL COUSY PLAY TONIGHT? "This coulda killed my team," Auerbach says. He felt obliged to order the exhausted players to go directly from the airport to the Garden, there to air the matter as a team.
Russell was a great admirer of Cousy, though, and the two led together. If they called a team meeting, they'd start off by soliciting opinions on how they--Cousy and Russell--were lacking. After that, who could bitch about anybody else? Jones cannot recall a single instance, either in college or in the NBA, when Russell "jumped on anyone's butt. But Bill definitely had his Machiavellian side. Anybody who didn't fit in, he'd just dismiss him."
Russell's simple key to a successful team was to encourage each player to do what he did best. "Remember," he says, "each of us has a finite amount of energy, and things you do well don't require as much. Things you don't do well take more concentration. And if you're fatigued by that, then the things you do best are going to be affected." The selfishness of successful team play--"I was very selfish," he declares--sounds paradoxical, but a team profits if each player revels in his strength. Still, Russell points out, there is a fine line between idealistic shared greed and typical self-gratification. "You must let your energy flow to the team," he says.
And sometimes, of course, you simply must sacrifice. For instance, one of the hardest things Russell had to learn to accept was that if he filled one lane on a fast break and Heinsohn was on the other flank, Cousy would give Heinsohn the ball--and the basket. Every time. "He simply had so much confidence in Heinie," Russell says. "So I had to discipline myself to run that break all-out, even if I knew I wasn't going to get the ball."
Above all, though, the key to Russell's success was that his greatest individual talent was the one that most benefited the team. It was not only that he blocked shots; Auerbach estimates that 80% of the time Russell could also direct the blocked ball into Celtics hands, usually fast-break bound. Moreover--and here is why statistical analyses of Russell's play are meaningless--the mere threat of a Russell block made opponents think twice about shooting, while the other Celtics could gamble aggressively on defense, knowing that number 6 would save them. "Other teams, all you hear is 'Switch!' 'Pick!' 'Help!'" Thompson says. "On the Celtics you'd only hear one word: 'Russ!'"
Although Russell made his team nearly invincible, the singular image that survives is of that one extraordinary athlete. That's the trouble with old sportswriters: They remember the beauty they saw far better than people today can visualize it from reading statistics. "It wasn't just that Bill was the whole package--and he was," West says, "but there was such presence he brought to the game."
By himself, in fact, Russell was hugely responsible for changing the way the public thought about big men in basketball. Before Russell, the giants were often dismissed as gawky goons or, like Chamberlain, bully-boy Goliaths. But Russell was as comfortable in his shape as he was in his skin, and it showed. "I am tall," he says. "O.K.? And if that's the only reason I can play, that's all right too. Don't deny your biggest asset. I'm a tall black guy. O.K.? No apologies, no bragging." In a game that was much more choreographed than the one today, no one could fail to see the elegance of Russell--this great winged bird swooping about, long angles that magically curved, rising high before your eyes. In fact, Russell saw himself as an artist, his play as a work of art. "If you can take something to levels that very few other people can reach," he says without vanity, "then what you're doing becomes art."
Unashamed, he sought to play the perfect game. "Certain standards I set for that," he says. "First, of course, we had to win. I had to get at least 25 rebounds, eight assists and eight blocks. I had to make 60% of my shots, and I had to run all my plays perfectly, setting picks and filling the lanes. Also, I had to say all the right things to my teammates--and to my opponents." Ironically, the closest he ever came to achieving that ideal was one night when he lived up to all his standards except the most obvious one: He did not make a single basket in 11 attempts.
Never mind. There were many discrete exquisite moments that made up for never quite attaining that comprehensive dream. "Sometimes," Russell told me in the car, breaking into a smile at the recollection, "sometimes if I could do something exactly the way I wanted, it was such an exhilarating feeling that I wanted to scream."
That memory was so joyous, in fact, that he missed the turn to the airport. Yes, 30 years later, he was driving me to an airport again. We had seen his father that morning, so our mission was accomplished. And now Karen was coming up to visit Charlie, so three generations of Russells would be together, Bill in the middle.
Karen returned, not long ago, from her first visit to West Monroe. "We're like so many other Americans, all scattered to the winds," she says, "and it was, for me, like finding my lost tribe. It also put my father's incredible journey into a context I'd never been able to put it before." She visited Katie's grave, and it made Karen think: "She had the vision for my father, as he had the vision for me."
Charlie was touched when Karen hugged him and told him this. Bill looked at them--the father who had a sixth-grade education and the daughter who'd graduated from Harvard Law. There they were, a whole century's worth of one American family. When Bill was young, in his game, players like him were known as pivotmen. Now, in his family, he is something of that again, the axis on which the Russells, ahead and behind him, turn. But then, it was the same way with basketball. Bill Russell was the pivot on which the whole sport turned. You understand what I mean?