What's the matter with a spot of noise on tennis courts?


Yes, once again grunting is an issue in women's tennis, thanks to the loud, unbecoming sound emitted by a 16-year-old Portuguese player, one Michelle Larcher de Brito whenever she strikes a ball.
Opponents have whined that this is distracting, which has, in the past, been a familiar complaint lodged against other female players -- most recently Maria Sharapova, and before her, Monica Seles.
Actually, I've never understood why these high-pitched sounds are called grunts. I always thought grunts were deep and guttural, sounding, well, like "grunt." Senhorita Larcher de Brito is more of a shrieker, as was Ms. Sharapova. And, for those connoisseurs of the art, Ms. Seles hit her shots with a double-barrelled wail. Sort of: ee-ee. Actually, I always thought the best grunter of all was a Romanian player named Virginia Ruzici, of the 1970s, whose shriek reminded one and all, vicariously, of ecstasy.
Of course, whatever the tone, the complaints raise the question: what's the matter with a spot of noise in tennis? Or golf, for that matter? Why does everybody have to hush up to let an athlete serve a fuzzy ball all by herself or to address a small, dimpled one lying motionless in the grass . . . when someone like a baseball batter is expected to be able to concentrate sufficiently amidst a roaring din, able to hit a curved spheroid thrown toward him at 90-some miles an hour?
I suppose it's because tennis and golf were first played by gentlemen and ladies where decorum was to be preserved. And, of course, games played by individuals never produce the fervor of team sports. Good grief, team sports have yell leaders whose very purpose is to encourage commotion. At football games, it's even considered quite cricket to try and make such a racket that the visiting team can't hear the quarterback's signals.
Chants are common in soccer round the world and have become more common at our own stadiums and arenas recently -- often, I'm sorry to say, of a downright vulgar nature. But the fans at Fenway Park seem to be the most original, with a particularly miraculous capacity to suddenly engage the whole throng in cadence. A couple of weeks ago, as Alex Rodriquez of the Yankees took to the plate, suddenly this vocal rolling thunder arose and spread throughout Fenway, louder and louder: "You do steroids! You do steroids! You do steroids!"
At the other extreme, the unnatural enforced silence for the poor golf fans has robbed them, in particular, of all original expression. As we had to suffer once again, this past week, at the U.S. Open,
All we ever hear in golf after a ball is struck is either: "You da man!" Or: "In da hole." It's really embarrassing for golf that the sport's fans are so lacking in originality.
Give me a good grunt on the tennis court any day, even if it isn't really a grunt. Listen, I may not remember much about the sounds of sport of thirty years ago, but the sensual cries of the long-forgotten Ruzici still sound like music to my ears. Ah, and at Wimbledon Monday, young Michelle Larcher de Brito defiantly declared: "Nobody can tell me to stop grunting!"
Hey, as they say on the links: "You da girl!"

Frank Deford is among the most versatile of American writers. His work has appeared in virtually every medium, including print, where he has written eloquently for Sports Illustrated since 1962. Deford is currently the magazine's Senior Contributing Writer and contributes a weekly column to SI.com. Deford can be heard as a commentator each week on Morning Edition. On television he is a regular correspondent on the HBO show Real Sports With Bryant Gumbel. He is the author of 15 books, and his latest,The Enitled, a novel about celebrity, sex and baseball, was published in 2007 to exceptional reviews. He and Red Smith are the only writers with multiple features in The Best American Sports Writing of the Century. Editor David Halberstam selected Deford's 1981 Sports Illustrated profile on Bobby Knight (The Rabbit Hunter) and his 1985 SI profile of boxer Billy Conn (The Boxer and the Blonde) for that prestigious anthology. For Deford the comparison is meaningful. "Red Smith was the finest columnist, and I mean not just sports columnist," Deford told Powell's Books in 2007. "I've always said that Red is like Vermeer, with those tiny, priceless pieces. Five hundred words, perfectly chosen, crafted. Best literary columnist, in any newspaper, that I've ever seen." Deford was elected to the National Association of Sportscasters and Sportswriters Hall of Fame. Six times at Sports Illustrated Deford was voted by his peers as U.S. Sportswriter of The Year. The American Journalism Review has likewise cited him as the nation's finest sportswriter, and twice he was voted Magazine Writer of The Year by the Washington Journalism Review. Deford has also been presented with the National Magazine Award for profiles; a Christopher Award; and journalism honor awards from the University of Missouri and Northeastern University; and he has received many honorary degrees. The Sporting News has described Deford as "the most influential sports voice among members of the print media," and the magazine GQ has called him, simply, "The world's greatest sportswriter." In broadcast, Deford has won a Cable Ace award, an Emmy and a George Foster Peabody Award for his television work. In 2005 ESPN presented a television biography of Deford's life and work, You Write Better Than You Play. Deford has spoken at well over a hundred colleges, as well as at forums, conventions and on cruise ships around the world. He served as the editor-in-chief of The National Sports Daily in its brief but celebrated existence. Deford also wrote Sports Illustrated's first Point After column, in 1986. Two of Deford's books, the novel, Everybody's All-American, and Alex: The Life Of A Child, his memoir about his daughter who died of cystic fibrosis, have been made into movies. Two of his original screenplays have also been filmed. For 16 years Deford served as national chairman of the Cystic Fibrosis Foundation, and he remains chairman emeritus. He resides in Westport, CT, with his wife, Carol. They have two grown children – a son, Christian, and a daughter, Scarlet. A native of Baltimore, Deford is a graduate of Princeton University, where he has taught American Studies.