SI 60: 'Lawdy, Lawdy, He's Great'
Joe Frazier said that of Muhammad Ali, but so fierce and unsparing was their confrontation that the phrase could have applied to them both.
In honor of Sports Illustrated's 60th anniversary, SI.com is republishing, in full, 60 of the best stories in the magazine's history. Today's installment is Mark Kram's poetic account of the Thrilla In Manila, the third and final bout between Muhammad Ali and Joe Frazier in their epic trilogy. It originally appeared in the October 13, 1975 issue of SI.
It was only a moment, sliding past the eyes like the sudden shifting of light and shadow, but long years from now it will remain a pure and moving glimpse of hard reality, and if Muhammad Ali could have turned his eyes upon himself, what first and final truth would he have seen? He had been led up the winding, red-carpeted staircase by Imelda Marcos, the First Lady of the Philippines, as the guest of honor at the Malacañang Palace. Soft music drifted in from the terrace as the beautiful Imelda guided the massive and still heavyweight champion of the world to the long buffet ornamented by huge candelabra. The two whispered, and then she stopped and filled his plate, and as he waited the candles threw an eerie light across the face of a man who only a few hours before had survived the ultimate inquisition of himself and his art.
The maddest of existentialists, one of the great surrealists of our time, the king of all he sees, Ali had never before appeared so vulnerable and fragile, so pitiably unmajestic, so far from the universe he claims as his alone. He could barely hold his fork, and he lifted the food slowly up to his bottom lip, which had been scraped pink. The skin on his face was dull and blotched, his eyes drained of that familiar childlike wonder. His right eye was a deep purple, beginning to close, a dark blind being drawn against a harsh light. He chewed his food painfully, and then he suddenly moved away from the candles as if he had become aware of the mask he was wearing, as if an inner voice were laughing at him. He shrugged, and the moment was gone.
Time may well erode that long morning of drama in Manila, but for anyone who was there those faces will return again and again to evoke what it was like when two of the greatest heavyweights of any era met for a third time, and left millions limp around the world. Muhammad Ali caught the way it was: "It was like death. Closest thing to dyin' that I know of."
Ali's version of death began about 10:45 a.m. on Oct. 1 in Manila. Up to then his attitude had been almost frivolous. He would simply not accept Joe Frazier as a man or as a fighter, despite the bitter lesson Frazier had given him in their first savage meeting. Esthetics govern all of Ali's actions and conclusions; the way a man looks, the way he moves is what interests Ali. By Ali's standards, Frazier was not pretty as a man and without semblance of style as a fighter. Frazier was an affront to beauty, to Ali's own beauty as well as to his precious concept of how a good fighter should move. Ali did not hate Frazier, but he viewed him with the contempt of a man who cannot bear anything short of physical and professional perfection.
Right up until the bell rang for Round One, Ali was dead certain that Frazier was through, was convinced that he was no more than a shell, that too many punches to the head had left Frazier only one more solid shot removed from a tin cup and some pencils. "What kind of man can take all those punches to the head?" he asked himself over and over. He could never come up with an answer. Eventually he dismissed Frazier as the embodiment of animal stupidity. Before the bell Ali was subdued in his corner, often looking down to his manager, Herbert Muhammad, and conversing aimlessly. Once, seeing a bottle of mineral water in front of Herbert, he said, "Watcha got there, Herbert? Gin! You don't need any of that. Just another day's work. I'm gonna put a whuppin' on this nigger's head."
Across the ring Joe Frazier was wearing trunks that seemed to have been cut from a farmer's overalls. He was darkly tense, bobbing up and down as if trying to start a cold motor inside himself. Hatred had never been a part of him, but words like "gorilla," "ugly," "ignorant"—all the cruelty of Ali's endless vilifications—had finally bitten deeply into his soul. He was there not seeking victory alone; he wanted to take Ali's heart out and then crush it slowly in his hands. One thought of the moment days before, when Ali and Frazier with their handlers between them were walking out of the Malacañang Palace, and Frazier said to Ali, leaning over and measuring each word, "I'm gonna whup your half-breed ass."
By packed and malodorous Jeepneys, by small and tinny taxis, by limousine and by worn-out bikes, 28,000 had made their way into the Philippine Coliseum. The morning sun beat down, and the South China Sea brought not a whisper of wind. The streets of the city emptied as the bout came on public television. At ringside, even though the arena was air-conditioned, the heat wrapped around the body like a heavy wet rope. By now, President Ferdinand Marcos, a small brown derringer of a man, and Imelda, beautiful and cool as if she were relaxed on a palace balcony taking tea, had been seated.
True to his plan, arrogant and contemptuous of an opponent's worth as never before, Ali opened the fight flat-footed in the center of the ring, his hands whipping out and back like the pistons of an enormous and magnificent engine. Much broader than he has ever been, the look of swift destruction defined by his every move, Ali seemed indestructible. Once, so long ago, he had been a splendidly plumed bird who wrote on the wind a singular kind of poetry of the body, but now he was down to earth, brought down by the changing shape of his body, by a sense of his own vulnerability, and by the years of excess. Dancing was for a ballroom; the ugly hunt was on. Head up and unprotected, Frazier stayed in the mouth of the cannon, and the big gun roared again and again.
A hint of shift came in the fourth. Frazier seemed to be picking up the beat, his threshing-blade punches started to come into range as he snorted and rolled closer. "Stay mean with him, champ!" Ali's corner screamed. Ali still had his man in his sights, and whipped at his head furiously. But at the end of the round, sensing a change and annoyed, he glared at Frazier and said, "You dumb chump, you!" Ali fought the whole fifth round in his own corner. Frazier worked his body, the whack of his gloves on Ali's kidneys sounding like heavy thunder. "Get out of the goddamn corner," shouted Angelo Dundee, Ali's trainer. "Stop playin'," squawked Herbert Muhammad, wringing his hands and wiping the mineral water nervously from his mouth. Did they know what was ahead?
Came the sixth, and here it was, that one special moment that you always look for when Joe Frazier is in a fight. Most of his fights have shown this: you can go so far into that desolate and dark place where the heart of Frazier pounds, you can waste his perimeters, you can see his head hanging in the public square, may even believe that you have him, but then suddenly you learn that you have not. Once more the pattern emerged as Frazier loosed all of the fury, all that has made him a brilliant heavyweight. He was in close now, fighting off Ali's chest, the place where he has to be. His old calling card—that sudden evil, his left hook—was working the head of Ali. Two hooks ripped with slaughterhouse finality at Ali's jaw, causing Imelda Marcos to look down at her feet, and the President to wince as if a knife had been stuck in his back. Ali's legs seemed to search for the floor. He was in serious trouble, and he knew that he was in no-man's-land.
Whatever else might one day be said about Muhammad Ali, it should never be said that he is without courage, that he cannot take a punch. He took those shots by Frazier, and then came out for the seventh, saying to him, "Old Joe Frazier, why I thought you were washed up." Joe replied, "Somebody told you all wrong, pretty boy."
The world held its breath. But then Ali dug deep down into whatever it is that he is about, and even his severest critics would have to admit that the man-boy had become finally a man. He began to catch Frazier with long right hands, and blood trickled from Frazier's mouth. Now, Frazier's face began to lose definition; like lost islands reemerging from the sea, massive bumps rose suddenly around each eye, especially the left. His punches seemed to be losing their strength. "My God," wailed Angelo Dundee. "Look at 'im. He ain't got no power, champ!" Ali threw the last ounces of resolve left in his body in the 13th and 14th. He sent Frazier's bloody mouthpiece flying into the press row in the 13th, and nearly floored him with a right in the center of the ring. Frazier was now no longer coiled. He was up high, his hands down, and as the bell for the 14th round sounded, Dundee pushed Ali out saying, "He's all yours!" And he was, as Ali raked him with nine straight right hands. Frazier was not picking up the punches, and as he returned to his corner at the round's end the Filipino referee guided his great hulk part of the way.
"Joe," said his manager, Eddie Futch, "I'm going to stop it."
"No, no, Eddie, ya can't do that to me," Frazier pleaded, his thick tongue barely getting the words out. He started to rise.
"You couldn't see in the last two rounds," said Futch. "What makes ya think ya gonna see in the 15th?"
"I want him, boss," said Frazier.
"Sit down, son," said Futch, pressing his hand on Frazier's shoulder. "It's all over. No one will ever forget what you did here today."
In his suite the next morning he talked quietly. "I heard somethin' once," he said. "When somebody asked a marathon runner what goes through his mind in the last mile or two, he said that you ask yourself why am I doin' this. You get so tired. It takes so much out of you mentally. It changes you. It makes you go a little insane. I was thinkin' that at the end. Why am I doin' this? What am I doin' here in against this beast of a man? It's so painful. I must be crazy. I always bring out the best in the men I fight, but Joe Frazier, I'll tell the world right now, brings out the best in me. I'm gonna tell ya, that's one helluva man, and God bless him."